Many deep learning models have achieved dominant performance on the offline beat tracking task. However, online beat tracking, in which only the past and present input features are available, still remains challenging. In this paper, we propose BEAt tracking Streaming Transformer (BEAST), an online joint beat and downbeat tracking system based on the streaming Transformer. To deal with online scenarios, BEAST applies contextual block processing in the Transformer encoder. Moreover, we adopt relative positional encoding in the attention layer of the streaming Transformer encoder to capture relative timing position which is critically important information in music. Carrying out beat and downbeat experiments on benchmark datasets for a low latency scenario with maximum latency under 50 ms, BEAST achieves an F1-measure of 80.04% in beat and 52.73% in downbeat, which is a substantial improvement of about 5 and 13 percentage points over the state-of-the-art online beat and downbeat tracking model.
The tasks of automatic lyrics transcription and lyrics alignment have witnessed significant performance improvements in the past few years. However, most of the previous works only focus on English in which large-scale datasets are available. In this paper, we address lyrics transcription and alignment of polyphonic Mandarin pop music in a low-resource setting. To deal with the data scarcity issue, we adapt pretrained Whisper model and fine-tune it on a monophonic Mandarin singing dataset. With the use of data augmentation and source separation model, results show that the proposed method achieves a character error rate of less than 18% on a Mandarin polyphonic dataset for lyrics transcription, and a mean absolute error of 0.071 seconds for lyrics alignment. Our results demonstrate the potential of adapting a pretrained speech model for lyrics transcription and alignment in low-resource scenarios.
Objective: Motor Imagery (MI) serves as a crucial experimental paradigm within the realm of Brain Computer Interfaces (BCIs), aiming to decoding motor intentions from electroencephalogram (EEG) signals. Method: Drawing inspiration from Riemannian geometry and Cross-Frequency Coupling (CFC), this paper introduces a novel approach termed Riemann Tangent Space Mapping using Dichotomous Filter Bank with Convolutional Neural Network (DFBRTS) to enhance the representation quality and decoding capability pertaining to MI features. DFBRTS first initiates the process by meticulously filtering EEG signals through a Dichotomous Filter Bank, structured in the fashion of a complete binary tree. Subsequently, it employs Riemann Tangent Space Mapping to extract salient EEG signal features within each sub-band. Finally, a lightweight convolutional neural network is employed for further feature extraction and classification, operating under the joint supervision of cross-entropy and center loss. To validate the efficacy, extensive experiments were conducted using DFBRTS on two well-established benchmark datasets: the BCI competition IV 2a (BCIC-IV-2a) dataset and the OpenBMI dataset. The performance of DFBRTS was benchmarked against several state-of-the-art MI decoding methods, alongside other Riemannian geometry-based MI decoding approaches. Results: DFBRTS significantly outperforms other MI decoding algorithms on both datasets, achieving a remarkable classification accuracy of 78.16% for four-class and 71.58% for two-class hold-out classification, as compared to the existing benchmarks.
Change captioning aims to describe the difference between a pair of similar images. Its key challenge is how to learn a stable difference representation under pseudo changes caused by viewpoint change. In this paper, we address this by proposing a self-supervised cross-view representation reconstruction (SCORER) network. Concretely, we first design a multi-head token-wise matching to model relationships between cross-view features from similar/dissimilar images. Then, by maximizing cross-view contrastive alignment of two similar images, SCORER learns two view-invariant image representations in a self-supervised way. Based on these, we reconstruct the representations of unchanged objects by cross-attention, thus learning a stable difference representation for caption generation. Further, we devise a cross-modal backward reasoning to improve the quality of caption. This module reversely models a ``hallucination'' representation with the caption and ``before'' representation. By pushing it closer to the ``after'' representation, we enforce the caption to be informative about the difference in a self-supervised manner. Extensive experiments show our method achieves the state-of-the-art results on four datasets. The code is available at https://github.com/tuyunbin/SCORER.
Note-level automatic music transcription is one of the most representative music information retrieval (MIR) tasks and has been studied for various instruments to understand music. However, due to the lack of high-quality labeled data, transcription of many instruments is still a challenging task. In particular, in the case of singing, it is difficult to find accurate notes due to its expressiveness in pitch, timbre, and dynamics. In this paper, we propose a method of finding note onsets of singing voice more accurately by leveraging the linguistic characteristics of singing, which are not seen in other instruments. The proposed model uses mel-scaled spectrogram and phonetic posteriorgram (PPG), a frame-wise likelihood of phoneme, as an input of the onset detection network while PPG is generated by the pre-trained network with singing and speech data. To verify how linguistic features affect onset detection, we compare the evaluation results through the dataset with different languages and divide onset types for detailed analysis. Our approach substantially improves the performance of singing transcription and therefore emphasizes the importance of linguistic features in singing analysis.
Change captioning is to describe the semantic change between a pair of similar images in natural language. It is more challenging than general image captioning, because it requires capturing fine-grained change information while being immune to irrelevant viewpoint changes, and solving syntax ambiguity in change descriptions. In this paper, we propose a neighborhood contrastive transformer to improve the model's perceiving ability for various changes under different scenes and cognition ability for complex syntax structure. Concretely, we first design a neighboring feature aggregating to integrate neighboring context into each feature, which helps quickly locate the inconspicuous changes under the guidance of conspicuous referents. Then, we devise a common feature distilling to compare two images at neighborhood level and extract common properties from each image, so as to learn effective contrastive information between them. Finally, we introduce the explicit dependencies between words to calibrate the transformer decoder, which helps better understand complex syntax structure during training. Extensive experimental results demonstrate that the proposed method achieves the state-of-the-art performance on three public datasets with different change scenarios. The code is available at https://github.com/tuyunbin/NCT.
With the rapid development of cloud computing, virtual machine scheduling has become one of the most important but challenging issues for the cloud computing community, especially for practical heterogeneous request sequences. By analyzing the impact of request heterogeneity on some popular heuristic schedulers, it can be found that existing scheduling algorithms can not handle the request heterogeneity properly and efficiently. In this paper, a plug-and-play virtual machine scheduling intensifier, called Resource Assigner (ReAssigner), is proposed to enhance the scheduling efficiency of any given scheduler for heterogeneous requests. The key idea of ReAssigner is to pre-assign roles to physical resources and let resources of the same role form a virtual cluster to handle homogeneous requests. ReAssigner can cooperate with arbitrary schedulers by restricting their scheduling space to virtual clusters. With evaluations on the real dataset from Huawei Cloud, the proposed ReAssigner achieves significant scheduling performance improvement compared with some state-of-the-art scheduling methods.
Event analysis in untrimmed videos has attracted increasing attention due to the application of cutting-edge techniques such as CNN. As a well studied property for CNN-based models, the receptive field is a measurement for measuring the spatial range covered by a single feature response, which is crucial in improving the image categorization accuracy. In video domain, video event semantics are actually described by complex interaction among different concepts, while their behaviors vary drastically from one video to another, leading to the difficulty in concept-based analytics for accurate event categorization. To model the concept behavior, we study temporal concept receptive field of concept-based event representation, which encodes the temporal occurrence pattern of different mid-level concepts. Accordingly, we introduce temporal dynamic convolution (TDC) to give stronger flexibility to concept-based event analytics. TDC can adjust the temporal concept receptive field size dynamically according to different inputs. Notably, a set of coefficients are learned to fuse the results of multiple convolutions with different kernel widths that provide various temporal concept receptive field sizes. Different coefficients can generate appropriate and accurate temporal concept receptive field size according to input videos and highlight crucial concepts. Based on TDC, we propose the temporal dynamic concept modeling network (TDCMN) to learn an accurate and complete concept representation for efficient untrimmed video analysis. Experiment results on FCVID and ActivityNet show that TDCMN demonstrates adaptive event recognition ability conditioned on different inputs, and improve the event recognition performance of Concept-based methods by a large margin. Code is available at https://github.com/qzhb/TDCMN.
Future activity anticipation is a challenging problem in egocentric vision. As a standard future activity anticipation paradigm, recursive sequence prediction suffers from the accumulation of errors. To address this problem, we propose a simple and effective Self-Regulated Learning framework, which aims to regulate the intermediate representation consecutively to produce representation that (a) emphasizes the novel information in the frame of the current time-stamp in contrast to previously observed content, and (b) reflects its correlation with previously observed frames. The former is achieved by minimizing a contrastive loss, and the latter can be achieved by a dynamic reweighing mechanism to attend to informative frames in the observed content with a similarity comparison between feature of the current frame and observed frames. The learned final video representation can be further enhanced by multi-task learning which performs joint feature learning on the target activity labels and the automatically detected action and object class tokens. SRL sharply outperforms existing state-of-the-art in most cases on two egocentric video datasets and two third-person video datasets. Its effectiveness is also verified by the experimental fact that the action and object concepts that support the activity semantics can be accurately identified.
The subjective evaluation of music generation techniques has been mostly done with questionnaire-based listening tests while ignoring the perspectives from music composition, arrangement, and soundtrack editing. In this paper, we propose an editing test to evaluate users' editing experience of music generation models in a systematic way. To do this, we design a new music style transfer model combining the non-chronological inference architecture, autoregressive models and the Transformer, which serves as an improvement from the baseline model on the same style transfer task. Then, we compare the performance of the two models with a conventional listening test and the proposed editing test, in which the quality of generated samples is assessed by the amount of effort (e.g., the number of required keyboard and mouse actions) spent by users to polish a music clip. Results on two target styles indicate that the improvement over the baseline model can be reflected by the editing test quantitatively. Also, the editing test provides profound insights which are not accessible from usual listening tests. The major contribution of this paper is the systematic presentation of the editing test and the corresponding insights, while the proposed music style transfer model based on state-of-the-art neural networks represents another contribution.