Current audio classification models have small class vocabularies relative to the large number of sound event classes of interest in the real world. Thus, they provide a limited view of the world that may miss important yet unexpected or unknown sound events. To address this issue, open-set audio classification techniques have been developed to detect sound events from unknown classes. Although these methods have been applied to a multi-class context in audio, such as sound scene classification, they have yet to be investigated for polyphonic audio in which sound events overlap, requiring the use of multi-label models. In this study, we establish the problem of multi-label open-set audio classification by creating a dataset with varying unknown class distributions and evaluating baseline approaches built upon existing techniques.
To explain the consonance of octaves, music psychologists represent pitch as a helix where azimuth and axial coordinate correspond to pitch class and pitch height respectively. This article addresses the problem of discovering this helical structure from unlabeled audio data. We measure Pearson correlations in the constant-Q transform (CQT) domain to build a K-nearest neighbor graph between frequency subbands. Then, we run the Isomap manifold learning algorithm to represent this graph in a three-dimensional space in which straight lines approximate graph geodesics. Experiments on isolated musical notes demonstrate that the resulting manifold resembles a helix which makes a full turn at every octave. A circular shape is also found in English speech, but not in urban noise. We discuss the impact of various design choices on the visualization: instrumentarium, loudness mapping function, and number of neighbors K.