In singing voice synthesis (SVS), generating singing voices from musical scores faces challenges due to limited data availability, a constraint less common in text-to-speech (TTS). This study proposes a new approach to address this data scarcity. We utilize an existing singing voice synthesizer for data augmentation and apply precise manual tuning to reduce unnatural voice synthesis. Our development of two extensive singing voice corpora, ACE-Opencpop and KiSing-v2, facilitates large-scale, multi-singer voice synthesis. Utilizing pre-trained models derived from these corpora, we achieve notable improvements in voice quality, evident in both in-domain and out-of-domain scenarios. The corpora, pre-trained models, and their related training recipes are publicly available at Muskits-ESPnet (https://github.com/espnet/espnet).
There has been a growing interest in using end-to-end acoustic models for singing voice synthesis (SVS). Typically, these models require an additional vocoder to transform the generated acoustic features into the final waveform. However, since the acoustic model and the vocoder are not jointly optimized, a gap can exist between the two models, leading to suboptimal performance. Although a similar problem has been addressed in the TTS systems by joint-training or by replacing acoustic features with a latent representation, adopting corresponding approaches to SVS is not an easy task. How to improve the joint-training of SVS systems has not been well explored. In this paper, we conduct a systematic investigation of how to better perform a joint-training of an acoustic model and a vocoder for SVS. We carry out extensive experiments and demonstrate that our joint-training strategy outperforms baselines, achieving more stable performance across different datasets while also increasing the interpretability of the entire framework.